Praised for her “nuanced vocal splendor” and “mesmerizing style” (Jay Harvey Upstage) Mira Fu-En Huang (she/her) is an early and new music specialist with extensive opera and ensemble experience. Her roles include Semele in Handel’s opera of the same name, Cupid in Blow’s Venus and Adonis, Night in Purcell’s Fairy Queen, and Belinda in Purcell’s Dido and Aeneas, while her ensemble credits include Apollo’s Fire, Chantry Early Music, Vox Musica, and Washington Master Chorale. When she is not steeping herself in early music, she collaborates with numerous living composers, and has been involved in multiple premieres across the US. Mira obtained an M.M. in Historical Performance from the Peabody Institute of the Johns Hopkins University, studying under Ah Young Hong. She also received undergraduate degrees in Vocal Performance and Psychology, as well as a minor in English, from the University of California, Davis.

For more information: mirafuenhuang.com